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All Alone
Jessica Williams
2003/MaxJazz Records
By Tad Hendrickson
Amazon.com Editorial Reviews

Northern California pianist Jessica Williams released several low-profile but well-regarded records in the '80s and '90s, but thanks to 2002's This Side Up, her profile has expanded beyond an appreciative few (which included Dave Brubeck). Here, Williams follows that trio date with All Alone, a solo effort that is an absorbing look at this amazing post-bop pianist. There is an elegant moodiness throughout that is punctuated by classical flourishes and bluesy trimmings, with gems like "As Time Goes By" (from the movie Casablanca), Irving Berlin's "All Alone," and Ellington's "In a Sentimental Mood" conveying a bluish romanticism that can only come from someone who has been around the block. Williams drops a string of four originals into the middle of the 12-song program, and they are well thought out and expertly rendered. While "The Sheikh" gets downright funky, Williams sounds best when she plays the romantic on tunes such as the original "Bill's Beauty" and the standards.

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Brahms cover This Side Up
Jessica Williams
2002/MaxJazz Records

By Tad Hendrickson
Amazon.com Editorial Reviews

Pianist Jessica Williams may not be a household name, but she's certainly got credentials. The former child prodigy gigged with the legendary Philly Joe Jones in her formative years, was the house pianist for San Francisco's storied Keystone Korner club in the late-'70s, and counts Dave Brubeck as one of her biggest fans. Williams dropped out for a while, choosing to focus on her music rather than performing. Even so, the post-bop pianist still managed to put out a pile of records on Jazz Focus and Candid in the '90s. While those labels are well regarded, This Side Up, her first for the mighty MaxJazz label, should stir up a lot of new interest. Here Williams's technical mastery of the keyboard is stunning, but what's more impressive is her focus on creating moody ambiance and brilliant melodies in much the same way as Miles Davis did. The nine originals shine, and Rahsaan Roland Kirk's "Theme for the Eulipians" sounds outstanding as well, with Williams subtly supported by the great duo of bassist Ray Drummond and drummer Victor Lewis.

CD available at:
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